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Visionnaire reactivates its historical archive, reintroducing into the collection iconic armchairs from the 1970s by its mother company IPE, displayed in the Wunderkammer of the Milanese showroom.

Under the sign of Déjà-vu, the project reawakens a historical lexicon, reaffirming its contemporary relevance and continuity of identity. The Wunderkammer is thus transformed into a Listening Room, curated by Marco Morandini — an intimate 1970s-inspired setting conceived as an immersive environment dedicated to sound and permanence, featuring a sound system by Giorgio Di Salvo.

At the center, the Baki armchairs are presented in a curated selection of finishes recalling the original palette, within a setting defined by warm moquette and reflective surfaces that amplify depth and perception.

A space to pause, sit and experience design through sound and memory — inviting a slower, more immersive interaction.

A new chapter unfolds at the Visionnaire Milano showroom with Marc Ange, where furniture moves closer to sculpture through a more expressive and symbolic language. Here, matter takes center stage—worked, layered, and shaped with a clear narrative intent.

The Macrodosing table defines the space through a complex, corolla-like base composed of multiple wooden segments, paired with a natural stone top inspired by African landscapes.

Fantino chair introduces a totemic yet welcoming presence, while the Sfogliatella wall light — carved from a single block of marble — explores matter through layering and light, integrating material recovery into the design process.

Each piece is conceived as a singular project — not by exception, but by vocation — aligned with a research trajectory that has guided the brand for years. Matter is not cladding, but origin. Not finish, but substance.